{"id":14228,"date":"2023-01-02T06:44:59","date_gmt":"2023-01-02T12:44:59","guid":{"rendered":"https:\/\/leadmarketing.com.mx\/los-mejores-50-videoclips-de-la-historia-de-la-musica-harpers-bazaar\/"},"modified":"2023-01-02T06:44:59","modified_gmt":"2023-01-02T12:44:59","slug":"the-50-best-music-videos-in-the-history-of-music-harpers-bazaar","status":"publish","type":"post","link":"https:\/\/leadmarketing.com.mx\/en\/instagram\/the-50-best-music-videos-in-the-history-of-music-harpers-bazaar\/","title":{"rendered":"The 50 Best Music Videos in Music History \u2013 Harper&#039;s Bazaar"},"content":{"rendered":"<p> \t\t<span class=\"wait-font-load\"> \t\t\tHarper&#039;s BAZAAR participates in various affiliate marketing programs, which means Harper&#039;s BAZAAR gets paid commissions on purchased items purchased through our links to retailer sites.  \t\t\t\t\t<\/span> \t<br \/>A couple of minutes are enough to tell a story, promote the singer, and ensure that the content is fresh, groundbreaking, and personal. Despite the arduous task, some have survived, and with honors. <br \/><strong>\u201cHave something to say, and say it\u201d<\/strong> \u2013Oscar Wilde wrote down as a maxim when creating, developing, or giving life to any kind of idea. Such a valuable saying <strong>The same applies to prose as to the art of video clips.<\/strong>: three or four minutes needed to tell a story, to carry out covert advertising <strong>and also get the resounding and unanimous applause of critics and the public<\/strong>, with that so difficult and vague that it is <strong>the author&#039;s own style<\/strong> (even more so in a society where image saturation and, ultimately, information overload prevail). <br \/>Of course, as for Wilde in literature <strong>There are also tricks, KISS for example<\/strong>We owe the acronym to <strong>Kelly Johnson<\/strong>, an American aviation engineer, and he came to say that <strong>the simpler the better<\/strong>: <em>Keep It Simple Stupid<\/em> (There are versions that add a comma before the stupid ending, but in reality, the original version did not include it.)<strong> It happened that during <a class=\"body-link\" href=\"https:\/\/www.harpersbazaar.com\/es\/moda\/noticias-moda\/a31402627\/maria-grazia-chiuri-mujeres-rebeldes-anos-70-entrevista-harpers-bazaar\/\" target=\"_blank\" data-vars-ga-outbound-link=\"https:\/\/www.harpersbazaar.com\/es\/moda\/noticias-moda\/a31402627\/maria-grazia-chiuri-mujeres-rebeldes-anos-70-entrevista-harpers-bazaar\/\" rel=\"noopener\">the 1970s<\/a> This axiom became popular<\/strong> \u2013How much does minimalism owe to it?\u2013<strong> and it reached the days of the video clip<\/strong>An idea that has a strong impact, has become popular, and has caught the audience&#039;s attention; in short, a powerful and well-developed idea is all it takes to make a good music video. <br \/><strong>However, this idea must be developed. It is essential that it include clean images and clear, concise messages \u2013<\/strong>It seems that the tandem has worked better than many people thought\u2013 <strong>Well, many of the videos on the list share this <em>DNA<\/em>,<\/strong> but at the antipodes of simplicity there is also room <strong>the most exaggerated baroque style<\/strong>: cluttered videos, exuding aesthetics.<strong> It is true that not all those who are are here, but all those who are here are here.<\/strong> Music raises passions (and sometimes even generates fervor), so forgiveness comes first. <strong>Yeah <a class=\"body-link\" href=\"https:\/\/www.harpersbazaar.com\/es\/cultura\/ocio\/a33816843\/maria-jose-llergo-marem-ladson-video-cantantes-entrevista\/\" target=\"_blank\" data-vars-ga-outbound-link=\"https:\/\/www.harpersbazaar.com\/es\/cultura\/ocio\/a33816843\/maria-jose-llergo-marem-ladson-video-cantantes-entrevista\/\" rel=\"noopener\">some masterpiece<\/a> The audiovisual in the format of musical promotion has been left in the inkwell<\/strong>We repeat that, at least, <strong>They are all who are.<\/strong><\/p>\n<p>Singer: <strong>MINE<\/strong><br \/>Director: <strong>Romain Gavras<\/strong><br \/>Why? The load of <strong>violence against redheads<\/strong> It is a most absurd argument. A ruse, that of Romain Gavras, that would not be understood if it were not for<strong> the envy generated by the nicest hair<\/strong> of all those that populate the face of the Earth. <br \/>Singer: <strong>Michael Jackson<\/strong><br \/>Director: <strong>Spike Lee<\/strong><br \/>Why? It made an entire favela sound like it was changing. <strong>a day of misery and a bleak future<\/strong> for a shoot <strong>turned into a party<\/strong>. And in passing, he placed a social alarm on the agenda of the <em>show bizz<\/em>.<br \/>Singer: <strong>Pearl Jan<\/strong><br \/>Director: <strong>Mark Pellington<\/strong><br \/>Why? The <em>clip<\/em> that rolled <strong>Mark Pellington<\/strong> for the Seattle rock band<strong> It helped them a lot to make themselves known<\/strong>The story is heartbreaking but reality always surpasses fiction. It was <strong>A real news story, from the newspaper, that inspired Eddie Vedder<\/strong> to compose the lyrics of <em>Jeremy<\/em>.<br \/>Cluster: <strong>Beastie Boys<\/strong><br \/>Director: <strong>Spike Jonze<\/strong><br \/>Why? His name is <strong>one of the most repeated in this gallery<\/strong>: Spike Jonze, the music video director <strong>most famous (and also most original)<\/strong> of all those who have devoted themselves to the task of <strong>musical filming.<\/strong> To the <em>Beastie Boys<\/em> turned them into <strong>a band of <em>cops<\/em> incognito with well-ironed pinstriped trousers, a mustache and a cap-like haircut<\/strong> like Ken&#039;s, in the style <strong>Charles Bronson<\/strong>.<br \/>Cluster: <strong>The Cure<\/strong><br \/>Director: <strong>Tim Pope<\/strong><br \/>Why? There is a pineapple at the bottom of the sea, as well as<strong> a closet with the band The Cure inside<\/strong>A twist \u2013 in a gothic key and catchy rhythm \u2013<strong> to the tale of the Little Mermaid. <\/strong><br \/>Cluster: <strong>Blur<\/strong><br \/>Director: <strong>Jonathan Glazer<\/strong><br \/>Why? If you have to imitate someone better <strong>emulate the finest, most elegant and precise conductor<\/strong> in aesthetic matters: <strong>Stanley Kubrick.<\/strong> <em>The Universal<\/em> Blur&#039;s is a review of <strong>the mythical scenes of <em>A Clockwork Orange<\/em><\/strong> (with a wink to <em>2001: A Space Odyssey<\/em> at the beginning of the audiovisual). <br \/>Singer: <strong>Madonna<\/strong><br \/>Director: <strong>Jean-Baptiste Mondino<\/strong><br \/>Because? <strong>Mondino is, was and will be<\/strong> <strong>the oracle of impeccable taste.<\/strong> In his hands everything is possible; and also, fine and elegant, <strong>like no other<\/strong> photographer or artistic director <strong>will not even come close to touching<\/strong>He has worked with \u201cblonde ambition\u201d on several occasions, but the following deserve a separate chapter:<strong>the two mentions on the list<\/strong>The first one is this: <em>Justify My Love<\/em>, <strong>a catalogue of sexual paraphilias<\/strong> (one of the most well-known and popular) <strong>black and white<\/strong>. Bites, touches and gasps with grateful shots of<strong> Tony Ward,<\/strong> who was her boyfriend at the time.<br \/>Cluster: <strong>Daft Punk<\/strong><br \/>Director: <strong>Spike Jonze<\/strong><br \/>Why? Spike Jonze had already been <strong>A few years shooting videos for bands and top singers<\/strong> (Bj\u00f6rk or Beastie Boys, both are on this list) when it hit the screens <strong>Charles&#039;s story<\/strong>, this creature with a human body \u2013bad leg and crutch included\u2013 and a dog&#039;s face <em>(sic<\/em>) that <strong>He walks through the streets of New York with a transistor radio.<\/strong> So attached to him that he missed an appointment because he was forbidden to take him on the bus. <strong>And that&#039;s it, there&#039;s no need to look for veiled readings or intricate arguments.<\/strong>; or at least that&#039;s what he said <strong>Thomas Bangalter<\/strong>, the 50% of <em>Daft Punk.<\/em><br \/>Singer: <strong>Kanye West<\/strong><br \/>Director:<strong> Takashi Murakami<\/strong><br \/>Why? The video of <em>Good Morning<\/em>, a song included in his third album \u2013<em>Graduation<\/em>\u2013 <strong>brought to life through animation all the drawings that the Japanese artist had created for West&#039;s album<\/strong>Once again, the teddy bear, a recurring mascot in West&#039;s imagery, comes to life in Universal City. Whether you like these new-fangled rappers, lazy rich people, and textbook egomaniacs, <strong>But they have managed to establish themselves on the throne of current music and are true kings.<\/strong><br \/>Singer: <strong>Janet Jackson<\/strong><br \/>Director: <strong>Dominic Sena<\/strong><br \/>Why? Possibly they are <strong>The \u201cfifteen minutes of glory\u201d of the sister<\/strong>. And because this video of post-apocalyptic military aesthetics is based <strong>halfway between the <em>Express Yourself<\/em> that David Fincher filmed for Madonna<\/strong> that same year (1989) <strong>and any of Michael&#039;s own choreographies.<\/strong> Further proof that there was life \u2013 and a lot of it \u2013 before the <em>Alexander<\/em> of <strong>Steven Klein<\/strong> for <strong>Lady Gaga<\/strong>.<br \/>Singer: <strong>David Bowie<\/strong><br \/>Director: <strong>Floria Sigismondi<\/strong><br \/>Because? <strong>David Bowie, Tilda Swinton, Saskia de Bauwn and Andreja Pejic<\/strong> together and mixed in a video clip inspired by the American middle class <strong>It&#039;s a lot of work for just 4 minutes. <\/strong><br \/>Cluster:<strong> The Fugees<\/strong><br \/>Director: <strong>Aswad Ayinde<\/strong><br \/>Why? The entire content of the video, with the nods to <strong>Roberta Flack<\/strong> <strong>were Laryn Hill&#039;s idea<\/strong>. The version of <em>The Fugees<\/em> of this classic of <em>rhythm and blues<\/em> came and swept away.<br \/>Cluster: <strong>Red Hot Chili Peppers<\/strong><br \/>Director: <strong>Tony Kaye<\/strong><br \/>Why? The director of <em>American History X<\/em> took the theme from the Red Hot Chilli Peppers and <strong>made them take a broad look at the history of rock<\/strong>To this end, the California band mutates into <strong>legendary icons<\/strong>: Elvis, Jimmy Hendrix, Bowie, etc. And finally them.<br \/>Cluster: <strong>The Beatles<\/strong><br \/>Why? They are still seen as what they were: <strong>the most famous \u2013 and relevant \u2013 band of all time.<\/strong> Together, with that air <em>hippie<\/em> that they spent at the end of their career together to the sound of one of their catchiest songs. <em>Beatles<\/em> on the street, in the East End or Chelsea. <strong>Nothing more. Nothing less.<\/strong><br \/>Singer: <strong>Chris Isaak<\/strong><br \/>Director: <strong>Herb Ritts<\/strong><br \/>Why? These are big words. When the genius of photography <strong>Herb Ritts<\/strong> holds a camera <strong>can only leave excellent material<\/strong>. <em>And there you have it.<\/em>, <strong>Helena Christensen<\/strong> in black and white running naked and wet on a beach, lubricious material for a <strong>Chris Isaak<\/strong> who asks like a mourner <strong>not to fall in love again<\/strong>. Although Ritts \u2013master of anatomy at the stroke of a pen <em>click<\/em>\u2013 worked for <strong>Madonna<\/strong> in the video <em>Cherish<\/em> or for <strong>Michael Jackson<\/strong> in the of <em>Into The Closet,<\/em> with these scenes he forged <strong>a resource that has been imitated<\/strong> to the point of satiety. <br \/>Cluster:<strong> The Chemical Brothers<\/strong><br \/>Director: <strong>Michael Gondry <\/strong><br \/>Why? It is <strong>one of the most celebrated videos (if not the most) from the Manchester electronic band.<\/strong> What this piece of music tells is irrelevant, since the comings and goings of the girl in question <strong>they do not arouse passions.<\/strong> What does raise them instead is the<strong>the display of angles in which each plane dissolves,<\/strong> like a fan that opens, playing with the depth of field.<br \/>Cluster: <strong>Blondie<\/strong><br \/>Director: <strong>Stanley Dorfman<\/strong><br \/>Why? The video opens with shots of NYC. On the dance floor, Blondie in action; and she,<strong> the beautiful Debbie Harry<\/strong> dressed by <strong>Stephen Sprouse<\/strong>. Red lips, long hair <em>Bob<\/em> and cat eyes never seen before \u2013<strong>nor ever after<\/strong>Oh! And the location. <strong>It&#039;s not Studio 54<\/strong> although images of the legendary nightclub appear in the introduction.<br \/>Singer: <strong>Bj\u00f6rk<\/strong><br \/>Director: <strong>Bill Cunningham<\/strong><br \/>Why? Between <strong>the select bouquet of <em>cools<\/em> they are unredeemed<\/strong> (and with mention): Bj\u00f6rk and Bill Cunningham. Others like <strong>Aphex Twin<\/strong>, with whom Bill has also worked repeatedly, complete <strong>the galaxy of popes of creative eccentricity.<\/strong> But this tab belongs to them by right. <strong>the first couple of artists: Bj\u00f6rk and Bill.<\/strong> The love between two video machines<em> All Is Full Of Love<\/em> He won every award he could get, and it&#039;s no wonder:<strong> a polished, aseptic, and at the same time fiery and passionate audiovisual.<\/strong><br \/>Cluster: <strong>Blur<\/strong><br \/>Director: <strong>Pedro Romhanyi<\/strong><br \/>Why? The song was the title track of the British band&#039;s third album, <strong>and the video \u2013 like the album \u2013 was not inferior<\/strong>. Scenes from a typically English life with the car on the way to work, sandwiches and coffee from a thermos, to show <strong>a portrait as acidic as possible<\/strong>Almost a quarter of a century later, it&#039;s still funny to see <strong>Phil Daniels and Damon Albarn in the role of two commercials.<\/strong><br \/>Singer: <strong>Jamiroquai<\/strong><br \/>Director: <strong>Jonathan Glazer<\/strong><br \/>Why? Not everyone is lucky enough to live through the turn of the century, or even the millennium, while still being a professional. <strong>at the top of the crest of the wave. Jamiroquai yes.<\/strong> That&#039;s why the video of <em>Virtual Insanity<\/em> crystallized its success and its momentum. Great atmosphere <strong>of what he imagined the future would be like<\/strong>, with zero-gravity shifting rooms. <br \/>Cluster: <strong>Coldplay<\/strong><br \/>Director: <strong>Mat Whitecross<\/strong><br \/>Why? They just passed <strong>two days between filming and release<\/strong>. Because the video only has that: the band members<strong> dressed as \u201cone-man bands\u201d<\/strong> playing the song in front of his fans. Well, that and <strong>a shower of colored confetti<\/strong> (something that is already on its way to becoming a catchphrase in the Coldplay universe, but oh well). The summary is that with so little on the screen, it generates <strong>a huge good vibe.<\/strong><br \/>Singer: <strong>Bj\u00f6rk<\/strong><br \/>Director: <strong>Spike Jonze<\/strong><br \/>Why? Crane cameras and well-studied choreography for <strong>a video clip that draws on the musical genre.<\/strong> Chromatic extravagance and vocal outbursts with the Bj\u00f6rk seal, for that <strong>She was, is and will be the queen of eccentricity and the champion of the cultured avant-garde.<\/strong><br \/>Cluster: <strong>Aha<\/strong><br \/>Director: <strong>Steve Barron<\/strong> <br \/>Why? The<strong> The song is a pop legend; the sanctum sanctorum of synthesizer pop<\/strong>. Also from animation. And time, which sometimes does not give the exact perspective, makes it look with a certain paternalism, but <strong>At the time, that was \u201cthe ultimate.\u201d <\/strong><br \/>Cluster: <strong>Nirvana<\/strong><br \/>Director: <strong>Samuel Bayer<\/strong><br \/>Why? And<strong>l <em>grunge<\/em> was (or is) this<\/strong>, just like that. A convention at a high school that ends in a riot without further explanation. Boredom, weariness, dire feelings that move a generation, <strong><em>aka<\/em> grunge.<\/strong><br \/>Singer: <strong>David Bowie<\/strong><br \/>Director: <strong>Mick Rock<\/strong><br \/>Why? It always was <strong>a genius <em>before the letter.<\/em> <\/strong>Just one fact: <strong>1973<\/strong>. Now a new viewing of the <em>clip<\/em> and the sentence is confirmed. <br \/>Singer: <strong>Britney Spears<\/strong><br \/>Director: <strong>Nigel Dick<\/strong><br \/>Why? What would it be like? <strong>the script of <em>Lolita<\/em><\/strong> If instead of Nabokov they had thought of it <strong>at the Disney factory.<\/strong> Well, the hallway with lockers, the basketball court with parquet flooring, and the odious uniform. What a getaway by car, what a Humbert Humbert, <strong>a good choreography - braids by means of - and a <em>bustier<\/em> with sweatpants<\/strong>. It doesn&#039;t matter what happens to her from now on, <strong>Britney will always be that \u201cpromising Lolita.\u201d<\/strong><br \/>Cluster: <strong>Metallica<\/strong><br \/>Director: <strong>Jonas Akerlund<\/strong><br \/>Why? It&#039;s more of a short film than a music video for a band. <strong>Porn actress Ginger Lynn Allen<\/strong> becomes u<strong>A mother desperate to raise her son<\/strong>, of the <em>pole dancing<\/em> to prostitution. With great aesthetic taste, the video narrated <strong>a heartbreaking story<\/strong> with all the flavor of the 80s in Los Angeles. <br \/>Singer: <strong>Janet Jackson<\/strong> and <strong>Michael Jackson<\/strong><br \/>Director: <strong>Mark Romanek<\/strong><br \/>Why? We hadn&#039;t worked together since 1982 and <strong>They had a great time with each other <em>Scream<\/em>.<\/strong> An absolute <strong>pleasure for the eyes<\/strong> In the nearly 5 minutes of the video. Unrepeatable. Unique. A masterpiece. Any adjective, no matter how grandiloquent,<strong> it fits and adjusts to him. <\/strong><br \/>Singer: <strong>Eminem<\/strong><br \/>Director: <strong>Phillip Atwell<\/strong><br \/>Why? Eminem became known with the album <em>The Slim Shady,<\/em> and <strong>the white rapper stormed in.<\/strong> Each song on their first album rose to <strong>the stratosphere in the 1999 music charts<\/strong>, but for <em>My Name Is<\/em> orchestrated <strong>a music video that is still funny today<\/strong> (even if it&#039;s just Eminem in the skin of a thousand and one television characters and playing the role of Bill Clinton, the former president of the United States). <br \/>Singer: <strong>Madonna<\/strong><br \/>Director: <strong>Jean-Baptsite Mondino<\/strong><br \/>Why? This is the second mention among <strong>the French director and the queen of pop.<\/strong> Because ideas from Mondino and others from Madonna were mixed; perhaps the black legend says and tells that <strong>There were words higher than the others<\/strong> trying to impose criteria, but the truth is that <strong>the video is impeccable<\/strong>. Aesthetics <em>YE<\/em>, a nuclear target site and<strong> an uncontrollable desire for sensuality<\/strong>.<br \/>Singer: <strong>Elvis <\/strong><br \/>Director: There isn&#039;t, because it&#039;s part of the live show.<br \/>Why? To anyone who claims to be a republican and a skeptic:<strong> a <em>play<\/em> and will agree that Elvis is \u201cthe King.\u201d<\/strong><br \/>Cluster: <strong>These New Puritans<\/strong><br \/>Director: <strong>Saam Farahmand<\/strong><br \/>Why? It never had such an impact. <strong>see human skin up close.<\/strong> A jet of compressed air and a slow motion camera in front of a body illuminated by a pendulum lamp are all that this video clip has to offer. <strong>And the result is unbeatable.<\/strong><br \/>Singer: <strong>Michael Jackson<\/strong><br \/>Director: <strong>Martin Scorsese<\/strong><br \/>Because? <strong>S<\/strong><strong>only with Michael Jackson<\/strong> There would have been plenty of material to gloss over this gallery but <strong>variety is the spice of life.<\/strong> Specifically, this video lasted 18 minutes and was directed by Martin Scorsese.<br \/>Cluster: <strong>Joy Division<\/strong><br \/>Why? It&#039;s nothing more than <strong>a simple rehearsal of Ian Curtis&#039;s band.<\/strong> And it had to be. <br \/>Singer: <strong>Natalie Imbruglia<\/strong><br \/>Director: <strong>Alison Mclean<\/strong><br \/>Why? The whole music video is <strong>a fixed camera<\/strong> in front of the room of an apartment (which in reality is not one, you can see it at the end. Sorry for the <em>spoiler<\/em>) <strong>and in the center Natalie Imbruglia<\/strong>. People coming and going, a boyfriend \u2013handsome, by the way\u2013 who gives her a kiss. Just like what happens to <em>Bittersweet<\/em> of<strong> The Verve<\/strong> (a few tabs later), <strong>pure KISS <\/strong><br \/>Cluster: <strong>Guns &#039;n&#039; Roses<\/strong><br \/>Director: <strong>Andy Morahan<\/strong><br \/>Why? To date it was <strong>the most expensive music video in history<\/strong> (just over a million dollars), with the <em>top<\/em> <strong>Stephanie Seymour<\/strong> in the lead role. Lots of evocative scenes, desert landscapes in New Mexico, and one misleading detail:<strong>why does Axl Rose wear it<\/strong> <strong>a leather jacket with a drawing of the Madonna<\/strong> of the <em>Justify My Love<\/em> on the back?<br \/>Singer: <strong>Kanye West<\/strong><br \/>Director: <strong>Chris Milk<\/strong><br \/>Because? <strong>C<\/strong><strong>It was (more or less) the same as the previous video<\/strong> And this one has already moved up to number 25 in the rankings. Anyway, time and money. <strong>Kanye, Pamela and a carefully curated 70s-inspired aesthetic.<\/strong> It could very well have been the <em>Supreme<\/em> of <strong>Robbie Williams<\/strong> (You change the decades and the locations, and the effect is the same. But you had to choose one, and <strong>Here comes Pamela Anderson<\/strong>).<br \/>Singer: <strong>Lady Gaga<\/strong><br \/>Director: <strong>Francis Lawrence<\/strong><br \/>Why? It doesn&#039;t matter what the video says, in fact, it&#039;s better not to know, because <strong>If someone tried to weave so many scenes and so much waste of costumes into a plot, the result could be an absolute nonsense.<\/strong>What matters is the effect, the result; and with it, she laid the foundation for her success. <br \/>Singer: <strong>Beyonc\u00e9<\/strong><br \/>Director: <strong>Jonas Akerlund <\/strong><br \/>Why? Akerlund \u2013 who is on this list thanks to <strong>Metallica<\/strong>, but it should also be for the <em>Ray of Light<\/em> of <strong>Madonna<\/strong>\u2013 was the author of this story, where <strong>a Gucci<\/strong> (from the first batch of <strong>Alessandro Michele<\/strong>) <strong>on Beyonc\u00e9&#039;s body<\/strong> He starts hitting a car. Well, that&#039;s more or less what the video is about. <strong>Then there is another version,<\/strong> which says that all the videos on the album are part of a cough, <strong>but the summary is that. <\/strong><br \/>Singer:<strong> Rihanna<\/strong><br \/>Director: <strong>Rihanna and Megaforce<\/strong><br \/>Why? This is the sign of the times: violence, bad language and <strong>a lot of money to tie.<\/strong> It is certainly not ideal, or optimal,<strong> but it is what it is. <\/strong><br \/>Singer: <strong>Jay-Z &amp; Kanye West<\/strong><br \/>Director: <strong>Romain Gavras<\/strong><br \/>Why? The video is loaded with <strong>images that exude violence<\/strong>, but with a brutal violence typical of <strong>a street invasion at the highest level;<\/strong> and instead in each plane <strong>It exudes beauty. Bravo Romain, the video is flawless. <\/strong><br \/>Cluster: <strong>Depeche Mode<\/strong><br \/>Director: <strong>Anton Corbjin<\/strong><br \/>Because? <strong>Dave Gahan<\/strong>, emulating the <em>Princeling<\/em> (they say, although it is more like a dress <strong>King Melchior&#039;s outfit<\/strong>), the balloon is kicked far and wide looking for a remote place where <strong>enjoy the silence, from the Algarve to the Swiss Alps.<\/strong> The video is very nice; a topic like this one <strong>Depeche Mode<\/strong> These landscapes are well worth it.<br \/>Cluster: <strong>The Caradigans<\/strong><br \/>Director: <strong>Jonas Akerlund <\/strong><br \/>Why? Although it has already been demonstrated that <strong>Akerlund is a genius,<\/strong> It is worth endorsing it with this <em>clip<\/em> for <em>The Cardigans.<\/em> <strong>A violent one<em> road movie<\/em><\/strong> with a Swedish woman driving a convertible through the Mojave Desert.<br \/>Cluster: <strong>Aerosmith<\/strong><br \/>Director: <strong>David Fincher<\/strong><br \/>Because? <strong>David Fincher<\/strong> (director of <em>Se7en, Fight Club, and Gone Girl<\/em>) invented for <strong>Aerosmith<\/strong> a <em>mini<\/em> short film with <strong>abuse and revenge as the main theme.<\/strong> In between, that&#039;s what a video clip is for: <strong>Steven Tyler<\/strong>, her wavy hair, her rings and her scarf hanging from the microphone, and at times the rest of the band. <br \/>Singer: <strong>Beyonc\u00e9<\/strong><br \/>Director: <strong>Jake Nava<\/strong><br \/>Why? It&#039;s now a milestone. <strong>More than a decade after its launch<\/strong>, the video clip of Beyonc\u00e9 (or her <em>alter ego<\/em> more courageous: <strong>Sasha Fierce<\/strong>) <strong>is a prominent part of pop culture<\/strong>And the curious thing about the case <strong>It is how recognizable it is with the few elements that compose it<\/strong>Of course the music is crucial, but there they are: three girls with <em>jerseys<\/em> black, with quiffs and loose manes and a grey background.<br \/>Cluster:<strong> The Verve<\/strong><br \/>Director: <strong>Walter A. Stern<\/strong><br \/>Because? <strong>Richard Ashcroft<\/strong> walking oblivious to everything else (he doesn&#039;t give a damn, he doesn&#039;t give a damn, as they say). <strong>The video couldn&#039;t be simpler and at the same time more powerful.<\/strong>. KISS paradoxes, we return to it again and again.<br \/>Singer: <strong>Cyndi Lauper<\/strong><br \/>Director:<strong> Edd Griles<\/strong><br \/>Why? We spend our time reviewing, praising, <strong>highlighting the large investments<\/strong>; pharaonic productions that leave the <em>Cleopatra<\/em> of <strong>Mankiewicz<\/strong> at the level of a communion video. <strong>But there have also been cases to the contrary.<\/strong>, very modest productions that have achieved a lot with very little, and <strong>Cyndi Lauper&#039;s video is an example of this. <\/strong><br \/>Cluster:<strong> Queen<\/strong><br \/>Director:<strong> Bruce Gowers<\/strong><br \/>Why? The entire music video can be summed up as follows: 1. <strong>basic lens effects<\/strong> (like any manual, homemade camera could make) and 2, <strong>medium shots of the band members at a concert.<\/strong><br \/>Cluster: <strong>Spice Girls<\/strong><br \/>Director: <strong>Johan Camitz<\/strong><br \/>Because? <strong>It marked a before and after<\/strong>, and specifically this video was <strong>the starting gun for the race <em>girl band<\/em> most famous of all time<\/strong>The girls \u2013 the athlete, the <em>funky<\/em>, the spicy one, the mellifluous one, and she, Victoria the posh one \u2013 making mischief in the middle of a dinner that oozes ancestry. <strong>A marvel that marked \u2013and greatly\u2013 an entire generation. <\/strong><br \/>Singer: <strong>Michael Jackson<\/strong><br \/>Director: <strong>John Landis<\/strong><br \/>Why? As <strong>the alpha and the omega,<\/strong> We&#039;re done. A full stop to this review of audiovisuals and music with <strong>the first music video of the pop era.<\/strong><strong> <\/strong><br \/><em>Original article date: 2017.<\/em><\/p>\n<p><a href=\"https:\/\/news.google.com\/__i\/rss\/rd\/articles\/CBMic2h0dHBzOi8vd3d3LmhhcnBlcnNiYXphYXIuY29tL2VzL2N1bHR1cmEvb2Npby9nMzE4NzIzL2xvcy1tZWpvcmVzLXZpZGVvY2xpcHMtZGUtdG9kYS1sYS1oaXN0b3JpYS1kZS1sb3MtdmlkZW9jbGlwcy_SAQA?oc=5\">source<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Harper&#8217;s BAZAAR participa en varios programas de afiliaci&oacute;n de marketing, lo que significa que Harper&#8217;s BAZAAR recibe comisiones de las compras hechas a trav&eacute;s de los links a sitios de los vendedores. Un par de minutos han de bastar para contar una historia, promocionar a quien canta y conseguir que el contenido sea fresco, rompedor y con sello personal. Pese a ser ardua la tarea hay quien se ha salvado, y con honores. &#8220;Tener algo que decir, y decirlo&#8221; &ndash;apunt&oacute; [&hellip;]<\/p>","protected":false},"author":1,"featured_media":14229,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-14228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instagram"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.4 (Yoast SEO v20.9) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Los mejores 50 videoclips de la historia de la m\u00fasica - Harpers Bazaar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leadmarketing.com.mx\/en\/instagram\/the-50-best-music-videos-in-the-history-of-music-harpers-bazaar\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Los mejores 50 videoclips de la historia de la m\u00fasica - Harpers Bazaar\" \/>\n<meta property=\"og:description\" content=\"Harper&#8217;s BAZAAR participa en varios programas de afiliaci&oacute;n de marketing, lo que significa que Harper&#8217;s BAZAAR recibe comisiones de las compras hechas a trav&eacute;s de los links a sitios de los vendedores. Un par de minutos han de bastar para contar una historia, promocionar a quien canta y conseguir que el contenido sea fresco, rompedor y con sello personal. 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